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关于“傅丹@回空间” | About “Danh Vo@Re-space”
“傅丹@回空间”是一个在时间过程中形成的艺术项目，空间的所有结构围绕花和植物展开，艺术家傅丹构思了“花束”的形态，而这“花束”的形态远远超出传统意义上对插花艺术的理解，从而将空间本身转化成为插花的结构。行走在“傅丹@回空间”中，你将遭遇榕树的花束，使君子的花束，火山岩的花束，兰花园的花束——在这儿，花束和空间融合在一起，你进入到花束中。你也可以从“傅丹@回空间”的花店中带走一个花束，为自己保留一片微观的风景。
如果我们相信花和植物中包含着整个世界生命的秘密，那么，花和植物的存在，都将邀请我们成为生命探索的一部分。鲜花，当它绽放、枯萎、灿烂、寂静，对于人类来说，已然隐含了生命情状的不同面貌，以及对未知生命关系的连接，而成为人类探求自身为何的媒介。在“傅丹@回空间”中，艺术家的创作和空间的所有要素相互渗透，层层展开；而让这一切相汇的媒介——花——成为人们共享诸种生命关系的来源，由此可以追溯塑造人性的复杂合力；而“花的时间”，因其脆弱的力量，更接近生命的本质，无论以何种方式凝视它们，都让人感到慰藉，并有可能帮助人们从自身的生存条件中有所释放和扩展。
Danh Vo@Re-space is an artistic project that evolves over time, with all the structures in the space centered around flowers and plants. The artist Danh Vo conceives a form of “bouquets” that far exceeds the traditional understanding of “flower arrangements,” thereby transforming the space itself into the structure for arranging art. Walking through Danh Vo@Re-space, you will encounter bouquets of Banyan Trees, bouquets of Rangoon Creeper, bouquets of Lava Stones and Plants, bouquets of Orchids and Trees – here, bouquets and space blend together, you actually enter inside a bouquet. You can also bring back a bouquet from the flower shop in Danh Vo@Re-space, preserving a small microcosm of scenery for yourself.
If we believe that flowers and plants contain the secrets of life, then their existence invites us to become a part of the exploration of life. As flowers are passed on, received, mixed, scattered, blooming and withering, radiant and quiet, they have come to embody for us different facets of the human condition, as well as connections to unknown life relationships. They have become a medium for humans to explore the reasons for their existence. In Danh Vo@Re-space， the artist’s creation and all elements of the space interpenetrate and unfold layer by layer. The medium that brings everything together – the flowers – becomes a source for people to share various life connections. Through this, one can trace the complex forces shaping human nature. “The time of flowers,” due to their fragile power, is closer to the essence of life. Regardless of how we gaze upon them, they bring solace and may help people release and expand from their conditions of existence.
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Bouquet: Banyan Tree and Bamboo Stems | 花束：榕树与竹竿
Bouquet: Rangoon Creeper | 花束：使君子
Bouquet: Lava Stones and Plants | 花束：火山岩与植物
Bouquet: Flower Slope | 花束：鲜花斜坡
Bouquet: Dong Pavilion and Rangoon Creeper | 花束：侗寨亭子和使君子
Bouquet: Orchids Garden | 花束：兰花园
McNamara Wood Project (2019-) | 麦克纳马拉木材项目（2019-）
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Artist’s Biography | 艺术家简介
傅丹(Danh Vo)1975年出生于越南巴地市（Bà Rja），4岁的时候随家人乘坐父亲修造的木船逃离越南，在太平洋中获一艘丹麦货柜船搭救，最终移民丹麦。他曾就读于丹麦皇家美术学院（1998-2002）及法兰克福Städelschule学院（2002-2005）。傅丹现居住于柏林，在柏林郊外的Güldenhof，傅丹一直在实践一个结合农场、创作和居住的项目。他的艺术实践经常从个人生命经验出发，探讨历史复杂的面向，触及身份和归属、权力、所有权的状态、个人关系中的角色及其它人类生存的普遍性问题。
Danh Vo was born in Bà Rja, Vietnam, in 1975. Vo’s family fled the country in a homemade boat when he was four years old, the vessel was rescued at sea by a Danish freighter. Danh Vo grew up in Denmark, studied at the Royal Academy of Fine Arts (1998-2002) in Copenhagen and the Städelschule (2002-2005) in Frankfurt. He lives in Mexico City and is currently working on a farm-housing project outside of Berlin in Güldenhof. His artistic practices often address issues relating to identity and belonging, authority, ownership, the role of personal relationships and other conditions that define human existence in contemporary time.